Tag Archives: Scotland

Visit to the Scottish Parliament, Edinburgh – 24 March 2014

26 Mar

Parliament sideOne of those visits I have been putting off for years. The Enric Miralles design has always been in my head a muddled failure, a confused, over-ornamented building. Having now visited it I still think the external treatment of the façades is too fragmented and the mix of materials, despite being symbolic, over-complicates what could have been a much cleaner look.

This muddle becomes most obvious on the staircase leading up to the debating chamber. Within a 20 metre run the surface underfoot alternates from concrete, to oak and granite a confusing sequence that add very little to the actual experience. One undeniable fact is the quality of the construction, the concrete surfaces are seductively well finished with a subtle sheen and a velvety touch. Especially the grand entrance hall with its almost medieval vaulted appearance has a sense of pleasing solidity and the quirky angled skylights bring in the sun in unexpected ways.

The debating chamber itself is a wonderful space to sit in. Warm, welcoming and open. The view of Holyrood Palace and the surrounding hills at unconventional angles becomes a fascinating play of light and creates a connection with the outside world unlike most parliament buildings that are hermetically sealed. It is also fascinating that the busy roof structure, heavily rigged with lights, speakers and monitors ensures the constant streaming of the proceedings go out in the best possible quality, with each MP having three spotlights pointed at them at all times. Democracy in action is now a game that is livestreamed online.

The external landscaping hugs the contours of the site with great elegance but judging by the bare patches of the grassed-up banks, the users of the space like to cut across the long walkways which look great in CAD but are not that user-friendly when one is in a rush or walking their dog. I am also not a fan of pools of water in such a northern climate, architects fall in love with reflecting their ego aka buildings in water, not taking into account the implications for maintenance and location.

If you are in Edinburgh and like modern architecture it is well worth a visit. Miralles provided a building of distinction if a little bit too indebted to a language of post modern ornament and quoting too directly natural forms that many may find gimmicky.

 

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Visit to the Riverside Museum, Glasgow – 21 March 2014

22 Mar

ZahaManaged to visit for the first time Zaha Hadid’s Riverside Museum and I can declare that was less underwhelmed than I thought I would be. The way the building reads from afar is not particularly alluring or that sleek looking (the metal skin looks far too patchy from the distance, while strangely looking much more unified at close inspection) but Hadid’s references to the curvature of the river and the nearby warehouses comes through and despite the strange choice of a pistachio green colour for the interior of the roof, the building feels welcoming and spacious.

The displays tend to jar from two styles, the old fashioned “period street” look full of recreated shops to the over-designed motorbike and car displays that scale the walls. The most satisfying aspect are the shop-like parade of fairly standard looking rooms for individual modes of transport and eras. Particularly good examples are one on the 1950s and one on Glasgow’s cinema boom in the 1930s. The bright green portals hiding both the doors for when the displays are being swapped and also create a bright visual rhythm across that parade. A quirky addition is the model ship conveyor belt on the top floor adding movement and visual interest.

Hadid’s staircase to the upper floor is also very successful in harnessing the angular language of the building with a post modernist twist. Again the choice of that green is unfortunate and verging on the quirky.

But I was very surprised to see that the inset architectural lighting is made out of neon tubes. A very expensive and difficult to look after medium, as proven by the over ten tubes that were not functioning just three years after the opening. Let’s hope Glasgow Museums will have the deep pockets to look after this star-architect product and hopefully help the regeneration of the surrounding area.

More information

The home page of the museum

Information on the project on Zaha Hadid’s office website

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