Fat gate mark 2

10 Feb

Being a performer is tough. You are exposed to criticism at every turn and it is expected. But it was horrendous that the Evening Standard would go on to body shame Allan Clayton less than two years since the uproar at Glyndebourne. Whilst it is fine to criticise all aspects of a live performance in a professional manner to make disparaging remarks on the bodily appearance of the performers most certainly isn’t.

Barry Millington wrote in his review of the Magic Flute last night 

Not least that of Tamino, sung by Allan Clayton, who is vocally in excellent trim but needs to spend more time at the gym if he is to be stripped regularly to his boxers.

It had never occurred to me that Tamino was meant to be a male model type and it seems absurd why bad looking critics in their 60s obsess what an extraordinarily talented singer like Allan Clayton looks like in his pants on stage.

As long as a singer’s physical state doesn’t affect their performance it is nasty to body shame the person in the spotlight, particularly when they have sung excellently. As Richard Morrison’s and Rupert Christiansen’s comments about the looks of opera singers were brushed away with merely a flutter of an apology I think venues should go nuclear on reviewers that keep on making such needless comments.

After all the opera companies have a duty of care to their performers and should do something about rogue reviewers that use their press ticket privilege to offend.

Reading Clayton’s tweet this morning brought a lump in my throat…we have all been there, on the receiving end of a bully at some point in our lives. We also probably told them to fuck off too…but it should not be left unchallenged.

Bullies like Millington should be stripped (pun intended, dear Barry, boy) of free access to performances if only to make them realise that it is not a valid line of enquiry in a review to suggest a singer visits the gym more frequently. Our society is obsessed enough with looks as it is, we should not be giving a free pass to critics to add another burden on the already pressurised life of opera singers.

The whole point of beautiful singing is its transformative quality, if a 50 year old soprano can convince me she is a 15 year old geisha then I have no problem with a Tamino having a bit more meat on the bone. Actually the whole insidious barihunk lark is acting as an acceptable form of body shaming apartheid that has been trickling like poison in operatic circles. The very idea that an exceptional singer won’t get cast because of the lack of musculature should be an alien concept but sadly it isn’t.  

Yes, I’m a gay man…I enjoy the nude male form but I’ll be damned if I enjoyed more a singer’s performance because they have a six pack. Singers have enough issues to obsess about as it is. Critics, back off and can we all please stop and think how normalising fat shaming on stage is bad for the art itself. 

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2 Responses to “Fat gate mark 2”

  1. Alfred Bradley 10 February 2016 at 10:06 am #

    Dear George,could not agree more. Endless freebies to endless performances breeds a certain arrogance. B.Millington, not an Adonis,I believe,should a) apologise in print,b) pay for his tickets or,c) as Alan Clayton,such a lovely singer,suggests, just simply F Off and give us all a break.Best wishes,Alfred Bradley

    From: Georges musings… To: balfred78@yahoo.co.uk Sent: Wednesday, 10 February 2016, 9:44 Subject: [New post] Fat gate mark 2 #yiv0666806740 a:hover {color:red;}#yiv0666806740 a {text-decoration:none;color:#0088cc;}#yiv0666806740 a.yiv0666806740primaryactionlink:link, #yiv0666806740 a.yiv0666806740primaryactionlink:visited {background-color:#2585B2;color:#fff;}#yiv0666806740 a.yiv0666806740primaryactionlink:hover, #yiv0666806740 a.yiv0666806740primaryactionlink:active {background-color:#11729E;color:#fff;}#yiv0666806740 WordPress.com | George aka OperaCreep posted: “Being a performer is tough. You are exposed to criticism at every turn and it is expected. But it was horrendous that the Evening Standard would go on to body shame Alan Clayton less than two years since the uproar at Glyndebourne. Whilst it is fine to cr” | |

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