Last week we talked about the stage rehearsals, tonight is the opening night and all the hard work will be up for the critics’ and the public’s scrutiny! Claire tells us how the dress rehearsal went and we can agree the culmination of six weeks of preparation has reached its final stretch.
So, we finally reach the dress rehearsal. It’s been a busy week but we’ve made it. Such an early start too, on Saturday morning. Some of the singers and actors have been in make-up & wigs since 8am! There’s a nervous but excited buzz around the theatre.
Michel is dreaming…who will he meet in his dreams? Where will his thoughts take him? To a strange town where everyone suffers from chronic amnesia.
The villagers try to feed off Michel’s memories. The orchestra has a rich texture and depth, almost cartoon-like at times. The quirky set design compliments Richard Jones’ production, which is slick and stylish.
The stage is one enormous piano accordion, which has doors and windows. Characters appear inside and pop out of the vast, concertinaed instrument throughout the opera.
Everyone on the stage is an individual character and hunt in a pack-like group, to drain Michel of his memories in order to feed their minds, albeit for a few minutes before amnesia sets in and all is lost.
There’s a lot of running, dancing, jumping from those on-stage. It’s a fast moving production, full of life and energy.
I have to run right across the front of the stage near the start of act two, with the rest of the chorus and actors sprinting in different directions at break-neck speed too which is frightening. There have been a few bumps and bruises in rehearsal but nothing too bad!
The costumes are shades of green silk based loosely on the 1950’s style. The colours blend in with the set & lighting. The wigs are quirky styles also loosely based on 1950’s styles.
Julietta meets Michel and they immediately fall in love. She has shining red hair and her dress is pattered with miniature piano accordions but I don’t think the audience will be able to see that (you can surely spot them in the shot in the slideshow below).
She has some beautiful musical passages with Michel. They promise to meet again and throughout the opera Michel searches for her. No-one else can see her or knows her. Julia Sporsén sings the role so well. Her unique soprano voice suits the role perfectly. She has a folk-like unaccompanied verse off-stage which bewitches Michel and I’m sure the audience.
Ed Gardner steers the orchestra and singers through the lush, textures of Martinů. Richard Jones directs specific moves and noises during particular musical sections, which add to the drama and gels the characters to the score.
It has been a tough but enjoyable experience, creating such a masterpiece. This could be a ‘marmite’ opera but my guess is that the majority will come out with nothing but positive comments. Hoorah for Martinů! Hoorah for ENO!
You can follow Claire on Twitter, her handle is @ClaraButt .
Dress rehearsal shots in ENO’s Flickr account