So, here we are on stage, rehearsing with full set, props, costumes & lighting. I was very excited, walking on set and being bowled over by the enormous accordion which dominates the stage. It moves open & shut during the opera, sometimes on its side and for one section it splits in half to reveal a dark, star-lit forest. The rest of the stage is black with open wings. This is a problem for singers as the voices get lost as soon as you turn facing across the stage. We’ve had to resolve balance problems with the rich texture of the orchestra against the singers being heard. The Coliseum stage is very deep so we have to ‘cheat’ and sing out sometimes. We’ve such a great team working on the show. Martin Fitzpatrick, Head of Music has been up in the dress circle, listening for the difficult sections to get across to the audience and then relays it to Ed Gardner in the pit. Ed works hard to correct the colour and balance of the orchestra, to fit the staging and voices.
The chorus have some off-stage sections in which we’ve worked hard to get the right balance. Some sections are just echos of Julietta‘s voice. Others are the thoughts of Michel.
The costumes are a mix of cute and quirky. We have villagers, young and old, a blind beggar, bell-boy, man in pith helmet, a horn player, commissar and commander of the city, amongst other characters. Each has an individual personality which Richard Jones; the director is very good at creating.
The direction and choreography is very specific, with soloists, chorus and actors moving, freezing, glancing, running etc. at key points in the music. It makes for a typical Richard Jones quirky trade mark in my opinion and brings the opera alive. Never will you find characters just standing and singing to each other. There’s always movement. The direction has great pulse, which complements the score.
The lighting is still being worked on and will put the finishing touches to creating the right ambience during the scenes. This is a unique production, which will have the audience laughing and sighing with great pleasure.
Richard Jones and Ed Gardner are a great team. I feel lucky to be part of it.
You can follow Claire on Twitter, her handle is @ClaraButt .
The trailer for the production