Ticciati excites and Maltman moves / London Symphony Orchestra / Barbican Hall – 15 March 2012

16 Mar

Ah the LSO! It can deliver unimaginable riches on a random Thursday evening, like last night.

Under the baton of Robin Ticciati they sounded like a different orchestra, all lightness and bounce. Of course from my very cheap seats I could only see his legs moving about and I presume it was a very physical display from his upper body. Something one has to expect by a lean 29 year old. Clearly their very recent trip to China may have invigorated them for a sparkly homecoming.

The Strauss was utterly beautiful, the tempi reserved and being at the cheapest seats on front row, we got a real treat hearing at such proximity some gorgeous tremolos from the double basses. A shame really that that very proximity meant that we could also hear a mobile phone going off backstage which was very annoying! The all too important bursts of percussion were thunderous and mournful. It was gorgeous and a great opener to the evening.

Christopher Maltman’s Mahler was so beautiful and measured, as near as it gets to lack of ego on a big stage. His dry resonant baritonal voice was in full command of the requirements. His emotional investment all too clear to see and hear. Ticciati quote in the programme on Maltman ‘He brings a kind of lieder-esque quality in his emotional response to music…’ was spot on, he imbued colourful, suitably subdued singing with emotion and sensational beauty. This was a truly accomplished performance with great attention to the text but also with a good ear for the orchestra. Ticciati kept the volume of orchestra and voice at the same volume which gave the piece a more intimate feel in contrast to the two other items in the programme. Seeing Maltman walk past after the end with tears in his eyes was as moving as his singing. I will surely be looking forward to seeing him again in concert and opera.

The Brahms symphony was as playful as you would expect, and with the LSO in a sprightly mood it was toe tappingly beautiful and the conductor’s fast tempi really made it breeze by. The rustic sounding Allegretto was a particular highlight. A mix of incisive playing and the right amount of fluency and relaxation created the right atmosphere. Even a chap in the end of the second row managed to stay awake despite clearly his body was telling him otherwise 😉

The band was clearly happy with the loud response from the audience and we all were extremely proud of them. Now if only the in between movements breaks we were not faced with a wall of coughing, life would be even better. The LSO showed its worth once more and I hope they will be booking Ticciati many more times in the near future, as the chemistry is clearly very potent.

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Here’s the programme from the LSO’s website (PDF)

A few Tweets from the evening

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